Things have taken a turn for the madder as I've taken over directing reins on 'The Deadliest Crash'. It's been intense but incredibly stimulating as the project was so far behind we thrashed out over a fortnight, (in an absolute frenzy of editing) a dozen scenes. Interviews of survivors we picked up in France have given it a lot of clout and when it dawned on me the tone was a little hyped up things really began to turn round, by letting go of narrative thrust and hanging out with the oldies recounting the tale we connect so much more strongly with them.
Running along side this we've been continuing to film and edit 'Line of Flight'. Filming of the solo of Wellington Crack is imminent and I'm quaking in my boots.
Everything else is side lined for the moment. Apologies to my family!
It's been intense but incredibly stimulating as the project was so far behind we thrashed out over a fortnight, (in an absolute frenzy of editing) a dozen scenes. Interviews of survivors we picked up in France have given it a lot of clout and when it dawned on me the tone was a little hyped up things really began to turn round, by letting go of narrative thrust and hanging out with the oldies recounting the tale we connect so much more strongly with them.
